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Inside the Box

Archival Room Installation

Inside the Box unfolds inside my personal bedroom in Salfit, Palestine—a room that holds two lives at once: the private space where I sleep, and the studio where I create.
The installation takes place inside this single room, where everyday outside sounds enter through the window and activate memories that shape the work.

Outside Sounds as Triggers

From dawn until sunset, the room receives a continuous stream of sonic fragments from the neighborhood:
birds at sunrise, the school anthem, a passing truck, the cheese seller’s call, the rustle of thyme being cut outside, construction sounds, phone calls, and the calls to prayer.
Each sound becomes a trigger—a portal that opens a specific layer of my family’s archive.

Scanning the Archive Inside the Room

Every archival material used in the project was digitally scanned inside this bedroom–studio, using the scanner placed on my desk.
While scanning, sunlight slowly moved across the room, shifting the shadows, illuminating corners, and inserting time directly into the images.
The scans therefore carry not only the textures of the objects, but also the physical atmosphere of the room:
the drifting daylight, the rhythm of outside sounds, and the changing temperature of the day.

A glimpse inside the evolving space — moments captured  where time, memory, and architecture quietly merge. Part of the ongoing work Inside the Box.

Family Histories, Land, and Return

The sounds lead to archival objects that reflect a wider family narrative:​

A panoramic view of Salfit, showing the landscape where the house stands
the 1926 Ḥijjat al-Arḍ (land deed) inherited from my grandfather’s father
my grandfather’s trading truck, which defined the family’s mobility and livelihood
my grandmother’s hands preparing cheese, a ritual passed down across generations
Thyme and Gherbal_edited
Bedroom elevation layout
Construction Photos_edited
Construction Photos 2_edited
VHS label- Salfit 2001_edited

Time as Structure

The installation follows the structure of the day.
Each hour corresponds to a specific outside sound, and each sound corresponds to a scanned material.
Together they form a circular timeline—like a clock—where sound, memory, light, and scanned objects move together.

InsideTheBox.jpg

A diagram mapping the outside sounds throughout the day and the corresponding archival materials scanned inside the bedroom–studio.

​​

A Bedroom as Living Archive

Inside the Box transforms a personal bedroom into a living archive—a site where:

  • sound becomes memory,

  • memory becomes image,

  • and the physical room becomes part of the archival material itself.

It is an intimate mapping of how a family remembers, builds, and returns;
how architecture holds emotion;
and how a room can contain generations.

  • Concept & Direction: Hiba G. Isleem

  • Mentorship: Shuruq Harb (Tadafuq / Flow mentorship program)

  • Location: Salfit, Palestine

  • Status: Work in Progress (2025)

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